Sworn In: Spacial drones support the march of strings and war drums. A tight drum groove midway through the cue continues the momentum up to a faster, more up tempo “chase” section. Mysterious, determined, groovy, driving. Medium and fast tempos. Length 3:21 BPM 98
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Global Subversion: Bouncing elastic drums with timbale echos. Mid section is all sand dunes and voices. then back to the groove with Mongolian Monks. Groovy, driving, dreamy, bouncy. Medium fast tempo. Length 3:21 BPM 120
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The Displaced: Mutant Rock. Hammer of the Odds. Immense drums with circus squeezebox melodies. Quite surreal…but fun. Scary, groovy, anger, aggressive, intense. Medium tempo. Length 1:56 BPM 90
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Realization: Understated medium tempo cue with a constant piano/classical guitar tick/tock riff. Building with synth bass up to a massive cluster chord breakdown that returns again at the ending. Contemplative, curious, scary. Medium tempo. Length 3:57 BPM 110
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Crawling Walking: Opening with a rolling digital tube rhythm giving way to somber chords and ambient piano melody. Moments of subdued majesty evolve into distant drums and percussion that propel the singular piano melody. A long cue that takes plenty of time to develop, break down and redevelop. At 6:20, massive chords evoke a limitless space then return to the singular piano and percussion. Contemplative, mysterious, groovy. Medium tempo. 8:59 BPM 110
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Federale’: Medium to up tempo. Ambient African textures with clickity percussion and menacing drones punctuated by massive hammer hits at the end. Brooding, mysterious. Medium tempo. Length 1:55 BPM 118
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Strange Bedfellows: Menacing digibass with cellos and crunchy percussion. Moments of surreal atonality but always percussive and driving. Medium tempo. Determined, groovy, scary, dreamy. Slow medium tempo. Length 3:26 BPM 134
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The Dakar: A single kalimba riff sets up this rolling, sometimes thunderous cue. Largess percussion that gives way to kalimba and floating strings that bring the cue to a close. Dreamy, groovy, mysterious, driving. Medium fast tempo. Length 2:27 BPM 200
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The Dakar Redux: Opening of a descending through the clouds type of treatment. Percussion comes in and drives the understated track that still has plenty of intensity. Organic percussion, synth and strings round out the track. Dreamy, mysterious, groovy, driven. Medium fast tempo. Length 2:40 BPM 200
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Contamination: A quicker, faster version of “The Mirage”. Drum hits are more subdued and the track does not reach maximum intensity but does provide a menacing motion. Dreamy, mysterious, scary, driving. Medium tempo. Length 2:10 BPM 99
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Mirage: Atonal piano surrounded by ambient crystal and sequential percussion. Moments of intense drum punctuation that become part of the inexorable march. Settling back to piano and crystals.
Dreamy, mysterious, scary, driving. Slow tempo. Length 3:01 BPM 76
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The Unrest: Explosive start with drum hits then propelled into dark, but purposeful strings and brass. Kinetic all the way through with sonic pathways that pause and reignite into rhythmic pulse. Variable intensity but always mystic and brooding. Driving, determined, dreamy, triumphant. Medium tempo. Length 4:04 BPM 107
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Brutus: Medium tempo percussion ensemble pushing arpeggio piano and low brass, gaining in intensity throughout the cue. Crisp bass and cello rhythmic patterns that drive the dark nature of the cut. Sad, driving, intense. Medium fast tempo. Length 3:28 BPM 144
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Short Brutus: Shorter, more condensed version of “Brutus Extended” focusing on consistent drum cadence, piano arpeggios and driving bass/cellos. A linear line of rising intensity. Sad, driving, intense. Medium fast tempo. Length 1:15 BPM 144
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Gods of Science: Very up-tempo. Fast drum/percussion riffs that support elongated low brass drones. End section pauses to angelic tones that are reminiscent of fallen angels. Nervous, desperate, dreamy. Fast tempo. Length 2:17 BPM 155
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